Anolis is inspired at St Stephen’s Church

 

An elegant Anolis LED lighting installation is now in place highlighting the newly renovated tower of St Stephen’s Church in Bath.

The scheme was designed and specified by Kieran Sturrock of locally based Enlightened Lighting, who also managed and installed the project for the vicar, the Reverend Jonathan Lloyd.

 

The old tower had previously been lit somewhat prosaically with white floodlights, so when the 18 month tower restoration scheme got underway, Lloyd took the radical step of applying to Bath & North East Somerset City Council to fund a new and contemporary lighting design.

The picturesque church was designed and built by local architect James Wilson in 1845, and the tower – always a controversial structural feature – was completed in 1847. St Stephen’s is located on Lansdown Hill, one of the highest points around Bath, with a commanding view of the city and the surrounding countryside.

Enlightened were recommended for the job by a contact at Bath Abbey where they frequently supply events and functions with lighting. Sturrock jumped at the chance to illuminate the tower, “It’s a fabulous building, and the idea was to introduce a simple and stylish lighting design to emphasise the architectural detail of the structure rather than something that was a blanket wash.”

One of the challenges was to keep all the fixtures as concealed as possible.

Most of the units were fixed into position whilst the tower was shrouded in scaffolding and are now in completely inaccessible places, so reliability was essential. It was Enlightened’s first major exterior Anolis installation, but they have a large selection of fittings in their hire stock, so Sturrock knew first hand that, as he explains, “If they can deal with being in hires, they’re tough enough for any situation!”.

At the top of the tower are 8 ArcSource Outdoor 12s, attached to the stone walls and arranged in pairs, cross lighting the four pinnacles. Another 8 ArcSource Outdoor 12s illuminate the second set of pinnacles further down.

Two sets of four ArcSource 12s with 6 degree lenses are used for silhouetting the flying buttresses, hidden from view  and fixed to the bottom of the buttresses.

There are four ArcLine Optic 36s washing up the top third of the tower, bathing the lancets in a gentle glow, and then 8 ArcSource Outdoor 18s backlighting the balustrades two thirds of the way up the tower.

On the front fascia of the tower, facing down the hill, three empty arch-shaped niches are lit up with 6 ArcSource 3s.

Six ArcSource 12 in-grounds – two per door – skim up the three entranceways on the front and at the sides of the church.

The Anolis drivers are all installed on level one of the belfry, and the lighting is controlled – via a DMX Creator – from the Vicar’s PC in the basement, linked to an astronomical clock which fires them up at dusk and shuts the installation down at 1 a.m. The standard everyday colour is a warm white with a hint of gold, but he also has the capacity to colour the tower for special occasions. For Remembrance Sunday it went blood red, and for the Season of Advent, a rich ecclesiastical purple.

The lighting scheme has given the restored tower a life of its own. When lit, it is visible from all over the city, and it has become a local talking point. The Vicar loves the installation, and there’s been plenty of positive feedback from locals and the congregation.

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